Alex Pardee's "A Nightmare on Elm Street" and "Scream" Movie Posters

My horror geek brain just imploded on itself! Alex Pardee, who I'm pretty sure I've never covered on this blog before, has created two masterpieces in the form of his Scream and A Nightmare on Elm Street posters. I'll be brief about it, because I've still got quite a bit of packing to do, but I'm completely in love with both of these posters, which are part of Mondo's Wes Craven Director's Series.

A Nightmare on Elm Street

This is probably my favorite of the two, but that's because A Nightmare on Elm Street played a huge role in my childhood (that's probably not very healthy). I still remember being the only kid in school with a subscription to Fangoria and making my mom take me to see the tongue-in-cheek Freddy's Dead (complete with ridiculous 3D). This poster depicts Johnny Depp's (that's right, A Nightmare on Elm Street was Depp's first on screen credit) supernatural and technically brilliant death scene (they created an upside down room to make the blood look like it was shooting upwards). I could go on an on about how this poster kicks incredible ass, but I'll just sum it up by saying Alex Pardee's twisted visual style fits in perfectly with the terrifying world Wes Craven created in his 1984 classic. Pardee's A Nightmare on Elm Street poster will be available on Thursday (4/14) through Mondo for a very reasonable $35. The print measures 16" x 24" and is limited to an edition of 160. Be sure to follow @MondoNews for the exact release time (I recommend waking up early that day). And if you love A Nightmare on Elm Street as much as I do, I highly recommend picking up the amazing documentary Never Sleep Again: The Elm Street Legacy. If you're digging either of these posters you should also be sure to check out Pardee's blog and online store.

Scream

I showed this to my girlfriend and she immediately shook her head. "Nope. There's no way that's going anywhere near our walls." But you know what? I think if she sees it in person she'll change her mind immediately…or she'll make me put it in my flat file, either way I'm going for it. Pardee's grotesque Scream poster is not for the faint of heart, but then again, a lot of what Alex dreams up isn't. As usual, whenever I see an Alex Pardee print or painting I know I'm in for some incredibly detailed work. I mean look at that viscera, it's absolutely disgusting, and that's a very good thing in this case. Much like his Nightmare poster, Alex's disturbing Scream print measures 16" x 24", costs $35 and will be available this coming Thursday (4/14) through Mondo. The poster is limited to an edition of 140. Wow, I can't believe Scream is already 15 years old. What's your favorite scary movie?

My final post this week will be dedicated to Phantom City Creative's insane Back to 80's poster series. I can't wait!

Joshua Budich's "KILL BILL" Art Print

Joshua Budich is an artist I've been watching for the better part of two years now and with every print he releases he seems to be one-upping himself. His "KILL BILL" print is no exception, and as far as I'm concerned is his best looking poster yet. If you weren't able to get your hands on Tyler Stout's jaw dropping Kill Bill: The Whole Bloody Affair poster then here's your second chance to grab a gorgeous piece of Kill Bill inspired artwork.

KILL BILL

The first thing that struck me when I saw this print was just how detailed all of the faces are. Joshua Budich took the beautiful (Uma Thurman) and the wizened (David Carradine) visages of the film's cast and brought them all to life by making every nook, cranny and wrinkle perceptible. In many ways Budich's character profiles reminds me of the incredibly realistic line work that Martin Ansin, one of my favorite poster artists, is so well known for - and in my opinion, that's one of the highest compliments I can give. Budich's layout is also deserving of praise, because it manages to balance the abundant (characters standing in front of, behind, beside, and diagonal to other characters) with the minimalist (a pair of shoes against a white background, a simple title in a conservative font - pretty much the opposite of Stout's poster) while also maintaining a consistent tone. It's a beautiful poster and I'm really hoping we'll get to see a lot more movie related prints from Joshua in the near future.

Of the 75 prints initially available, 35 were sold (and consequently sold out) through Spoke Art's "Quentin vs. Coen" art show, and the remaining 40 (plus a few APs) are being sold tomorrow (4/12) at a random time through Budich's online store. Joshua's "KILL BILL" six-color screen print measures 24" x 36", and is limited to an edition of 75. It probably wouldn't hurt to sign up for his mailing list in the meantime and I'd be sure to keep at least one window to his storefront open and a finger on the F5 key for good measure. If Kill Bill isn't your thing, fear not, he's still got some mini prints of his "Save Ferris" poster available too!

Tom Whalen's "Who Framed Roger Rabbit" Movie Poster

I promise this isn't becoming a Mondo blog, but I did want to briefly write up Tom Whalen's fun Who Framed Roger Rabbit poster. I'd previously written about Whalen's Steamboat Willie and Paul posters, but I honestly think this print trumps both of those.

Who Framed Roger Rabbit

Who Framed Roger Rabbit is one of those movies that I loved as a kid, and then re-watched as an adult and was totally floored by how much had gone over my head in the 80's; the film has something for everyone. I love all of Tom's smaller touches that don't immediately hit you until you look a little closer, like the anthropomorphized buildings in the background and the dripping ink of Judge Doom's glove. With that said, I wish Bob Hoskins had played a bigger role in the design instead of just a thumbnail in the lower left corner, however I appreciate Tom trying to keep the poster simple and clean. All in all this looks to be a fantastic poster and would be a feather in one's cap (did I really just use the term "a feather in one's cap"?) for anyone who's a fan of the film, animation, or the filmography of Robert Zemeckis (before he started working exclusively with all that motion capture nonsense, that is).

Whalen's Who Framed Roger Rabbit poster will be available at a random time tomorrow (4/8) through Mondo. Their drops usually happen around 9 AM Pacific, but the Tyler Stout Kill Bill poster dropped at around 8:30 earlier this week, so anywhere between 8:30 and 9 would probably be a safe bet (of course I could always be wrong). The poster measures 18" x 24", is limited to an edition of 210 and will cost $40. For more Tom Whalen goodness be sure to check out his website at strongstufftom.blogspot.com. Th-th-th-that's all folks!

Coming Soon

I'm moving to a new apartment this month, so a lot of my free time will unfortunately be dedicated to that arduous process we all loathe. What does this mean for you? Well, it means April will probably feature a lot less posts from me, but I wanted to take this opportunity to let you know that I haven't forgotten about this blog and to give you a better idea about what's coming down the pipeline:

• A review of Phantom City Creative's insane Back to the 80's poster series
• A review of the utterly mind blowing Attack the Block (this film JUST got US distribution!)
• A new feature called "Sometimes They Get It Right," where I'll highlight a few official movie posters that, against all odds, ended up being fairly fantastic
• Another poster contest (I still haven't chosen the two posters I'll be giving away)
• And to the best of my ability, I'll continue to write about cool posters that I see popping up on the interwebs

Please bear with me during my move, and most importantly thanks for reading!

Tyler Stout's "Kill Bill: The Whole Bloody Affair" Posters

I wouldn't be doing my poster nerd duties if I didn't tell you about Tyler Stout's insane Kill Bill: The Whole Bloody Affair posters, now would I? In honor of the recently premiered (in the US at least) and restored Quentin Tarantino revenge epic, Tyler Stout, a giant in the poster world, has created yet another one of his exquisitely detailed masterpieces. This one is sure to sell out within seconds.

Kill Bill: The Whole Bloody Affair - Regular Edition

Kill Bill: The Whole Bloody Affair - Variant Edition (in Japanese on "Rice Paper")

The yellow, gold and red inks work perfectly here, because not only does it immediately convey the film's retro Asian aesthetic, but they make the image explode visually, like your eyes are seeing different levels of heat (yellow, red and white). I've also got to give it up to Mondo for creating a variant that is unique and actually serves a purpose, instead of just changing the inks. I'd be very interested to feel the difference between their usual poster stock and the "rice paper" poster stock of the variant. Did I mention how awesome it is that they changed all of the English to Japanese? I think I can honestly say this is one of their finest variants ever.

These amazing, insane, gorgeous posters will go on sale at a random time tomorrow (4/5) through Mondo's site. As usual, if you want to receive a heads up on the drop, be sure to follow @MondoNews for all the release info. The 24" x 36" Tyler Stout Kill Bill: The Whole Bloody Affair poster comes in two editions, a regular and a variant. The regular Kill Bill poster is out of an edition of 600 and costs $50, while the variant is limited to an edition of 225 and costs $100. If you miss out on tomorrow's Mondo release, I highly recommend heading over to Tyler's site, where you can sign up for his mailing list and be informed about any potential sales through his store down the road. Let's be honest, even if you DO get a poster tomorrow, you should probably still visit his page just to gawk at the incredible artwork. 'Nuff said. Good luck and good night!

Spoke Art's "Quentin vs. Coen" Art Exhibit Round 1

You may recognize Spoke Art as the transient gallery behind the amazing "Bad Dads" Wes Anderson art show, which quite deservedly gained them a lot of nerd love. Well it seems they've done it again, but this time it's not Rushmore or Life Aquatic they'll be celebrating. No, this time it'll be films like Pulp Fiction, Inglourious Basterds, Raising Arizona, O Brother, Where Art Thou and No Country For Old Men. Yep, Spoke Art's "Quentin vs. Coen: A Tribute to Tarantino & the Brothers" show is sure to delight the cineaste in your life.

The folks at Spoke Art were nice enough to send me some promotional images in anticipation of the show's premier on April 7th, so I'll be continuing the Posterocalypse tradition by picking a few of my favorites and doing a brief write-up for each. After the show has premiered and the remaining art is available through Spoke Art's online store, I'll follow-up this entry with a part two reviewing their remaining stock. Now on to the artwork! As a heads up, I don't have all of the titles for the following prints or paintings so I'll sometimes just be referencing the films they're inspired by.

Pulp Fiction - Oliver Barrett

I think it goes without saying that this poster, inspired by the Coen brothers' classic Barton Fink, is an absolute delight. I kid, I kid! Oliver Barrett's badass Pulp Fiction print is sure to bring out the inner mofo in anyone standing within a five foot proximity. I love how he was able to take Samuel L. Jackson's no nonsense visage and transform it into a dangerous landscape with his careful attention to detail and small pen strokes. I've only seen a fraction of what will be on display at the Bold Hype Gallery in New York, where the show will be held, but I'm REALLY hoping that this is part of a print series from the artist. As more information becomes available I'll update this entry accordingly. And to answer the poster's question, no, Marsellus Wallace does not look like a bitch. Be sure to subscribe to the Spoke Art mailing list and follow their blog for more release information as the date grows near. Whatever doesn't sell out at the show will be available through the Spoke Art store sometime in April. I would also recommend heading over to Oliver Barrett's site, where you can spy his portfolio and purchase his prints (hint: buy an American Splendor poster).

Pulp Fiction Action Figure Collection - Max Dalton

Max Dalton's "Pulp Fiction Action Figure Collection" print really speaks to the collector in me (never take it out of the box!) and is perfect for anyone who's nuts about Tarantino and / or toys. I have a feeling that this print would really benefit from being seen in person as each toy has an action figure from the film, their name, a selection of accessories and a catch phrase. Can you guess what Jules Winnfield's catch phrase is (please refer to Oliver Barrett's print for the answer)? If you're familiar with Max Dalton's work, which can be found in his portfolio and blog, you can really see just how good the man is at not only appropriating pop culture and transforming it into something new (examples Ferris Bueller's Day Off board game and this very Pulp Fiction Action Figures Collection), but also seems to always find the lighter side of a sometimes dark subject. Can somebody please make these toys a reality? Again, pleases be sure to visit Max's blog and portfolio, as well as check out his store for some great prints (I'm looking at you "The Spaghetti Western Inventory").

True Grit Meets Kill Bill - Steve Seeley

This painting is fun, just incredibly fun. You've got a wacky mix of both the Coen brothers' True Grit and Quentin Tarantino's Kill Bill and the connecting theme of eye patches. I think my favorite part of Seeley's artwork is its deadpan depiction. By that I mean, even though this strange collection of characters, eye patches, and animals are thrown together in a mishmash of references and oddness, there doesn't seem to be any winking at the camera (or painter) - the image works so well because of the disagreement between tone and content. It's strange, it's wonderful - there's not much more to say than that. Like everything else in this entry, Steve Seeley's True Grit meets Kill Bill painting will be available at Spoke Art's "Quentin vs. Coen" show from April 7th to the 9th. To find out more about about Mr. Seeley check out his website at thedelicatematter.com.

Raising Arizona - Killer Napkins

And finally we come to Killer Napkins' tribute to the Coen brothers' Raising Arizona. It's been a while since I've seen the film, so I'm a bit rusty on what each element of this totem-like design represents, but if I had to guess I would say it's some sort of frightening shrine to Leonard Smalls / the Lone Biker of the Apocalypse. I chose this painting because, not only is it really, really well done, it's also damn creepy. I also really like the fact that this was painted on wood. I definitely wouldn't mind if Killer Napkins decided to make some screen prints of this, maybe prints on wood? To find out more about the disturbing and very cool artwork of Killer Napkins be sure to checkout his site and store - the man's got a gift for the gross. The Raising Arizona print by Killer Napkins will be on display and available for purchase at Spoke Art's "Quentin vs. Coen" show from April 7th to the 9th.

Well, that's it for this round of "Quentin vs. Coen" artwork, but once there are some posters and prints available through the Spoke Art store I'll be sure to post a part two. If you're lucky enough to be in New York and near the Bold Hype Gallery, be sure to drop by and then rub it in our faces for not living on the East Coast. Information about the show can be found at the Spoke Art blog, and signing up for their mailing list is probably a good idea too.

As a reminder for those of you that haven't yet entered the Posterocalypse Fighter giveaway, I'll be giving away The Fighter movie poster by Adam Hanson and a mystery print tomorrow (3/31) to one lucky person who leaves a comment with their name and email address (US only) in last Tuesday's blog post (it was titled "Giveaway - The Fighter by Adam Hanson"). You have until Thursday 6 PM Pacific to enter. Good luck!

Criterion Connection - Must-Have Artwork

The "Criterion Connection" is my little corner of the world where I can obtusely and clumsily wax on about my commitment to Criterion's commitment to important classic and contemporary films.

This month's Criterion announcement brought us some very welcome info about their release plans for June, which include Louise Malle's Black Moon and Zazie dans le métro, Nicolas Roeg's Insignificance, Robert Aldrich's Kiss Me Deadly, Kon Ichikawa's The Makioka Sisters, Robert Siodmak and Edgar G. Ulmer's People on Sunday, and Raffaelo Matarazzo's Runaway Melodramas Eclipse Series. I don't know too much about the majority of these films (one of the many reasons why I love Criterion), but I'm most excited for Kiss Me Deadly, Black Moon, Zazie dans le métro and Insignificance. I think this may be the first time in a long while where every announced title is completely new to the collection - well done Criterion. Enough about that though, let's get to the focus of this month's "Connection."

I thought I'd use this entry to highlight my favorite works of art available through the official Criterion Collection store. I think you'll find that the work is top notch and you may even recognize a name or two from Criterion's very impressive stable of artists. I'd go as far as to say, that even if you're not a fan of the Criterion Collection or art house films in general, you'll still come to appreciate the incredible artistry on hand. Without further ado, I give you the must-have artwork from Criterion's vault.

House - Sam Smith

Sam Smith's House movie poster is insane in all the right ways. Recognize the artist's name? That's right, Sam Smith, the man who not only created the super classy Black Swan screen print not too long ago (read my post about it), but was also part of last month's "Criterion Connection," appears to be a favorite throughout the hallowed halls of Criterion. If you haven't seen Nobuhiko Ôbayashi's bat-shit crazy fever dream known as House, you're really missing out. I mean how often do you get to see a carnivorous piano feasting on human flesh, a man turn into a pile of bananas, or a demonic cat winking menacingly? Sam Smith has captured all of that hallucinatory splendor with this intense poster that manages to make you laugh while your skin crawls. Sam Smith's House one-sheet is available from the Criterion Collection website for $25 and measures "27 x 39". This is a limited edition glossy finish poster, although Criterion doesn't explicitly say what the edition size is, and is the perfect gift for the man or woman in your life that loves strange cinema of the fiendish feline variety. I also highly recommend checking out Sam's blog, Sam's Myth, where you can find a great post detailing the House poster process and how he originally got connected with Criterion. It's fascinating stuff. Still not sure you should invest time in a film like House? Then I highly recommend checking out the trailer at criterion.com to seal the deal and get a feeling for just how bonkers the film is. The film is also available for streaming through Hulu Plus, but I'd recommend a blind Blu-ray or DVD purchase if you've got some spare change.

Corridors of Blood	First Man into Space
The Haunted Strangler	The Atomic Submarine

If you're a fan of comics you may recognize the above four prints as a product of the insanely talented Darwyn Cooke. Apart from being an Eisner Award-winning comic book renaissance man (he writes, draws and animates), Darwyn Cooke also created an amazing set of prints for Criterion's release of their Monsters and Madmen boxset. The set contains four films (some horror, some sci-fi) from producers Richard and Alex Gordon that occasionally feature a rather sinister Boris Karloff (is there any other kind of Boris Karloff?). I haven't seen any of these films yet, but I just had to include Cooke's amazing artwork in this entry. Darwyn's nostalgic style fits so perfectly with these four films from 1958 & 1959, that it's a wonder he hasn't done more movie cover art. Seriously Criterion, get this guy back on your payroll! I think my favorite of the set would have to be his "First Man into Space" print, but they're all seriously amazing and make me want to seek out these movies. I really like how Cooke was able to use a different color palette for each print, allowing them to thrive separately, and as a collection. The "Monsters and Madmen" giclée set can be purchased from Criterion for $125, with each print measuring 8" x 10".  The product page states that the first edition consists of 100 sets, so I'm not entirely sure if they plan to make a second edition, but it sounds like a possibility. If you're interested in checking out the films, Corridors of Blood and First Man into Space are currently streaming through Hulu Plus, should you want to avoid the somewhat steep cost of the DVDs. And for those of you interested in learning more about Darwyn Cooke, I recommend picking up his DC: The New Frontier, The Spirit and Richard Stark's Parker: The Hunter comic books. They're all great reads!

Mystery Train - Yee-Haw Industries

I absolutely adore this film! So it should come as no surprise that Jim Jarmusch's Mystery Train is my favorite movie in the white-haired auteur's filmography. The compositions and color in this film are just jaw dropping. It's amazing to think that prior to Mystery Train, Jarmusch had only made black and white films (beautiful black and white films, but you know what I'm saying). The Mystery Train movie poster by Yee-Haw Industries is the same artwork used for the DVD / Blu-ray cover (similar to Sam Smith's House poster), but still makes quite a fetching poster. I can't quite explain it, but the color and design somehow just seem so fitting for the film's southwestern environs. Maybe that's because Yee-Haw Industries is located in Knoxville, Tennessee, a mere 400 miles from the film's Memphis setting. Alright, so maybe 400 miles isn't a walk in the park, but at least it's in the same state. Another cool thing about this poster is that it was created with a letterpress (picture), which based on the artist's description of the process, sounds like a pretty interesting process (taken from the Mystery Train product page):

"Our process is pretty true to how they would have actually done it seventy to one hundred years ago. We use Vandercook proofing presses, mainly from the thirties and forties. When we initially proofed the headline type, it was all laid out using ascending sizes of wood type. The credits were all typeset using antique wood and lead type. 

Everything in letterpress is set in reverse. So we have fonts of individual letters that are all reversed, and when the paper offsets onto the type it becomes right-reading. Producing a run of posters is a rather slow process. All the prints are hand-printed, one color at a time (Mystery Train is three colors on whiteboard), allowing for time to dry in between. Most of the wood type we use is probably eighty to one hundred years old—strong stuff!”

The limited edition Mystery Train letterpress is available through Criterion for $30 and measures 16.4" x 23.1". Unfortunately, I couldn't find this streaming anywhere, but this is one that's definitely worth owning on Blu-ray - the picture quality and rocking soundtrack are superb! If you've got some free time I also recommend checking out the Yee-Haw Industries website, blog and Flickr account.

Rashomon - Kent Williams

In full disclosure, my Rashomon poster review was taken from a post I wrote for another blog. For those who haven’t seen the film, here’s the gist of it (taken from the Rashomon product page):

Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man’s murder and the rape of his wife.

Sounds kind of nuts, right? This was the film that changed the role of the narrator in cinema, evidently they can’t always be trusted. This poster perfectly reflects the differing views of a single moment. I love Kent's style. His artwork seems completely chaotic and yet totally controlled. This was the poster that Criterion / Janus used when re-releasing the film in theaters in 2009. Thankfully for you and I, Criterion decided to sell it as a limited edition one-sheet through their website. Have I mentioned how perfect this design is? Toshiro Mifune is looking particularly badass as he’s being torn apart in four different directions. Ouch and symbolic. The Kent Williams's Rashomon movie poster measures 27" x 40" and is currently available at the Criterion store. If you love classic movies, nay, iconic movies that forever changed the landscape of cinema (dramatic I know) then you’ll love this poster. Also be sure to visit Kent Williams’s site. For those who haven't seen the film, and aren't ready to pull the trigger on the DVD, Rashomon is currently streaming through Hulu Plus.

Robinson Crusoe on Mars - Bill Sienkiewicz

Bill Sienkiewicz’s “Robinson Crusoe on Mars” print deserves to be hung in a gallery – this thing is insanely beautiful. One of the things I’ve really come to appreciate about Criterion, and that is on full display with this print, is how they can take a film that may be exploitive or may not be considered a masterpiece by any film scholar and somehow create something that transcends its humble beginnings and lovingly places it in the context of film history. I’m sure I sound like a broken record at this point, but wow, Bill has really created something that completely transports me to another world (Mars to be specific) with his beautiful broad strokes that make up the mountainous landscape of the red planet, to his precision point depictions of the stars in the sky above. You might begin noticing that Criterion likes to use comic book artists (Darwyn Cooke, Kent Williams and Bill Sienkiewicz) who are more than capable of conveying a film’s plot, feeling, and character using only a static canvas. Bill’s limited edition “Robinson Crusoe on Mars” giclée is available through Criterion for $125 and measures 22” x 16”. The Robinson Crusoe on Mars was recently re-released on DVD and Blu-ray and is certainly worth a rent, if not a blind purchase. To learn more about the art of Mr. Sienkiewicz head over to billsienkiewiczart.com or pick up his Stray Toasters, Elektra Omnibus, or 30 Days of Night: Beyond Barrow comics.

Charlie Chaplin Festival - Kate Beaton

The Charlie Chaplin Festival poster by Kate Beaton is probably the most playful of the posters I chose to write about in this post (the House poster is pretty fun too, but that’s a different kind of playful, a creepy / crazy kind of playful), but it also seems to perfectly match the mischievous mood of the troublesome tramp played by the inimitable Charlie Chaplin. Kate (another comic artist!) did exactly what she should have done here - kept it simple, and I can’t thank her enough for that. From the black and white color palette to the straightforward sketches that illustrate all of the tramp’s iconic gags, pratfalls and poses, the Charlie Chaplin Festival poster is the perfect representation of a comedy legend. Kate Beaton’s Charlie Chaplin Festival one-sheet costs $25, measures 26” x 40” and is available for purchase through Criterion’s store. As I mentioned earlier, Kate, like many other artists included here, has worked in comics, but she tends to skew a little more indie with her web comic Hark! A Vagrant. Check it out, it's very funny!

My fingers are officially exhausted from all of the typing, so I think I’ll end it here. For more information on the Criterion Collection be sure to head to criterion.com. I’ll leave you with a teaser image from this month’s Criterion newsletter that’s meant to hint at what a future, currently unannounced Criterion release could be.

Everyone who knows what they’re talking about has already concluded that this a nod to Stanley Kubrick’s The Killing from 1956, which is one of the few Kubrick films I haven’t seen. Needless to say, I’m very excited. How about you?

As a reminder for those of you that haven't yet entered the Posterocalypse Fighter giveaway, I'll be giving away The Fighter movie poster by Adam Hanson and a mystery print on March 31st to one lucky person who leaves a comment with their name and email address (US only) in last Tuesday's blog post (it was titled "Giveaway - The Fighter by Adam Hanson"). Good luck!